PAUL MORPHY, THE PRIDE AND THE SORROW OF CHESS

A site about Paul Morphy____New Orleans chess world champion____prodigy, genius, tragedy

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These poems were written between 1999 and 2000. Most are available in small press publications at the Poetry Library, South Bank Centre, London.

 


 
Call 2

 

 

 

The conversation click

 

Switch has been swung

 

There goes the button

 

Pressed to the lung

 

 

 

Whatever we say

 

Draws us away

 

Whoever speaks now

 

Has ended the play

 

 

 

That two cents worth

 

Of mercurial claim

 

No emotional profit

 

To levels the plain

 

 

 

But sit the phone down

 

The broken clique    

 

And feel the shame.

 

 

 


 

 

Tender Graffiti

 

Under the M1 bridges

 

I don’t know where

 

Somewhere between London

 

And Birmingham

 

A sign is crawled

 

In loopy white paint

 

No, not scrawled

 

Written upside down

 

 

The paint running.

 

 

 

It is tender graffiti and

 

For a while

 

I drive and read

 

‘Give me Inspiration’

 

Have you seen it?

 

Millions have

 

Under the M1 bridges

 

I don't know where

 

Give me Inspiration.

 

 

 


 

Reunion

 

 

 

I stepped into the garden

 

And there they all were

 

My friends from university

 

(And my best friends)

 

Leaning in deck chairs

 

Funny sight

 

 

 

A soothing weekend

 

Walks in the valley

 

Hot Shropshire sun

 

Bottled wine

 

Canned bitter 

 

Barbecue and bonfire

 

 

 

Remember?

 

I think you will have been to one.

 

 

 

So there they all were

 

As I stepped into the garden

 

My friends from university

 

(And my best friends)

 

Resting on the grass

 

Slightly uptight.

 

 

 


 

 

Not Very Far

 

 

 

Calling Bath

 

Gave awareness

 

Of the distance

 

Between us

 

 

 

You were breezy

 

With voices

 

Behind you

 

And between us

 

 

 

Click

 

 

 

Sometimes when people

 

Are far

 

It spreads comfort

 

Like water showered 

 

 

 

From the sprung tap

 

On the hard tiled floor

 

And sounds of places leap

 

Like gas sparks

 

 

 

Those tender crackling telephone spits

 

From the unwilling hob

 

On the quick-beating

 

Chest of the caller.

 

 

 


 

 

Tradition

 

 

 

Wasting talent

 

The English way

 

With newspapers, books.

 

(The occasional play.)

 

 

 

Build him up tall

 

Let her be proud

 

Knock them down quick

 

Feed the fresh crowd

 

 

 

Recycle our talent

 

The English way

 

Red tape, white papers.

 

(The occasional gay).

 

 

 

Keep the sharks baited

 

Let them not care

 

Just flick the blood

 

And millions stare

 

 

 

Oh!

 

 

 

Where is the talent?

 

Braindrained away

 

No comment, no culprit.

 

(The English way).

 

 

 

 

 


 

2-4-6-8

 

 

 

Toll gates

 

On the M62

 

Hull

 

To Liverpool?

 

 

 

Toll gates

 

On the M1

 

London

 

To Leeds?

 

 

 

Why not

 

Six lanes

 

And unprivatise

 

The trains?

 

 

 

Sail by plane

 

Fly by ship

 

Forget your brain

 

Or sod the trip?

 

 

 

I say

 

 

 

Ban freights

 

No waits

 

Economic laws

 

Up yours!

 

 

 

Ubiquitous strife

 

Capital life

 

Great Bill Gates

 

United States.

 

 

 


 

 

Wandsworth Town, London Town

 

 

 

Standing at the corner

 

Under the unblossomed tree

 

I wait for you

 

To dash from the door

 

With a bag under your arm

 

And your half smile on the corner

 

To see if the bus is waiting.

 

 

 

I sit in the pub seeing traffic

 

Until people leave your building

 

Five o’clock and they hurry past

 

The bookmakers and shops

 

With the motorbikes and rush

 

Through the raining street.

 

 

 

 

Standing at the corner

 

Under the unblossomed tree

 

I wait for you

 

To dash from the door

 

With a bag under your arm

 

And your half smile on the corner

 

To see if the bus is waiting.

 

 

 


 

 

Job Seeker, Please

 

 

 

Warmth presses the air and the sky reaches down like a cone

 

Covering the wide expanse of the plain beneath while I sit

 

 

 

Closed in the house, knees up to the computer screen,

 

Turning my growing nails over and over and thinking

 

 

 

Of the cut of the phone call and the job

 

I more than needed, I wanted. 

 

 

 

 


 

 

Holy Mascot

 

 

 

He sits at the computer edge

 

Between the screen and the humming drive

 

Smiling as wide as the sky

 

 

 

Six inches high with dots for eyes

 

A round face with fat orange fingers

 

Arms outstretched at his sides

 

 

 

All day grinning while I think and type

 

Indifferent to failure and success

 

A miniature brown cuddly monkey

 

 

 

He sits at the computer edge

 

Between the screen and the humming drive

 

Smiling as wide as the sky

 

 

 

Judging all I write with soothing dark eyes.

 

 

 


 

 

The Great and the Global

 

 

 

I’ve started to read a third of a book

 

Then give up, a hundred or so pages in

 

And discover something more stirring or shorter

 

With nicer pages or a livelier picture on the cover

 

 

 

Today I will shelve Anna Karenin

 

For Heart of Darkness or The Pearl

 

Or any other book to change the soft closing

 

Characters, set-up, scene, action, plot, end

 

 

 

Beginnings fascinate me, nothing more

 

Like living the recycled hunt along a faraway shore

 

A sexy adolescent affair, an undiscovered country

 

The wood at the bar

 

 

 

A half finished novel in a draw by the bed.

 

 

 


 

 

 

 

The Wonderful World of White-Out

 

 

 

I have come to learn Tipp-Ex does not work on printer paper

 

The paper is too thin and my little container is always too old

 

The bristles are worn and stiff like the dry matted hair of a cononut

 

The liquid is hard and has long crusted over where the lid is unlevel

 

And there is always a hair which drags over the paper and pulls

 

The whiteness away in a thin spirralled snake

 

 

 

Then held high at a nearby window

 

The light silhouettes along the darkened ink marks

 

Shows me the drying liquid becoming a relic of school books

 

Unsuitable for computers and their promised perfection

 

And in a blinding white inspiration without illusion or dent or streak      

 

I learn not to white-out paper cuts any more.

 

 

 

 


 
 
Heavy Autumn Air  
 

 

 

I can’t say if my head is clear enough for a piece of prose today

 

Far easier I’m sure you’ll agree are idle poems from you to me.

 

 

 

 

 

  
  

 

 

Correct Me If I'm Wrong (I Think I'm Right)

 

 

 

Shorter poems are surely best

 

Verses on places and people

 

 

 

Unscaling the page with their neatness

 

Their impatience and greatness

 

 

 

They can be funny or sharp or bleak

 

They don’t look so ugly in ink

 

 

 

And right at the end they just end

 

Without taking long to have read.

 

 

 

 

 

 

 


 

Once Upon a Lady Margaret Hall Afternoon
 

 

 

 

Many of those times when the air was warm

 

And the summer had fallen through the window

 

I heard your knock and before the door had closed

 

We were singing a random track off the long-awaited

 

EP from the McNamara brothers band and their

 

Special brand of beautiful three chord

 

Slow-burning amateur rock.

 

 

 

Printed in a collapsing stream from the Internet

 

My guitar holding papers and you clapping your hands

 

We would play the music unreleased in the shops

 

And record our bluesy racket through the roof and

 

Far out over the sunny college lawns to where the

 

Clock-bell would be tolling and the people passing quietly

 

From the quad to their rooms.

 

 

 

I still play those tunes and for a while

 

Think back to the strap circling my neck

 

Where I stood near the window beside your Brit-Pop pose

 

With your feet spread wide and your chin up

 

With the strain and the delicacy and the sheer raucous volume of

 

All those notes that swung in our heads

 

Only days from exams.

 

 

 

Too soon it is all so distant

 

Become merely a sound and image

 

Of youth unspiralling.

 

 

 


 

 

Betjeman Will Make Me Sad

 

 

 

 

I learned last night how to write poems

 

Reading Betjeman from the edge of my bed

 

Then standing at the fridge in the kitchen

 

And lying down on the lounge settee:

 

 

 

The fresh freeing air of those cliffs

 

And the sardonic slant

 

And wallpaper cracks

 

Of all his genteel seaside towns

 

 

 

Breathe in sleep

 

Like uncovered memories

 

Beyond thinner minds 

 

 

 

His unburdened delight

 

Precise low-key tenderness

 

And eyebrow surprise

 

 

 

The first bud of spring

 

Far sadder than the rest

 

Only he could create.

 

 

 

This page was last modified by Matt Fullerty on October 13, 2006